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Mia Skäringer's 'Mia, myself & I - Sista Måltiden' Premieres to Critical Acclaim for its Intimacy and Humor

Mia Skäringer's latest show blends humor and introspection to explore her struggles with anxiety and ADHD, earning critical praise at its Stockholm premiere.

    Key details

  • • The show premiered on September 17, 2026, at China Teatern in Stockholm.
  • • It explores Skäringer’s experiences with social anxiety, ADHD, and burnout, reflecting a more melancholic tone than her previous work.
  • • Critics praised the show for its intimate and humorous portrayal, highlighting the performances and musical collaboration with Linnea Olsson.
  • • The production features alter egos Tabita and Ann-Marie, contrasting humor and joy amidst themes of exhaustion and self-reflection.

Mia Skäringer’s new show "Mia, myself & I - Sista Måltiden" premiered on September 17 at China Teatern in Stockholm, immediately capturing the attention of critics and audiences alike. The performance offers an introspective exploration of Skäringer’s internal struggles, particularly focusing on her experience with social anxiety and ADHD. Her approach blends humor with somber reflection, creating a complex portrait of exhaustion and vulnerability as she approaches 50.

Directed by Helena Bergström and accompanied by cellist Linnea Olsson, the show has been described as "hysterically funny" by Expressen and "very intimate and completely crazy" by DN. The performance features Skäringer’s alter egos, Tabita and Ann-Marie, who provide contrasting perspectives—Tabita humorously critiques Skäringer’s self-pity while Ann-Marie offers moments of joy. A standout moment includes a poignant duet with Olsson performing Anni-Frid Lyngstad’s "Ett liv i solen," which energizes the show.

Unlike her 2018 show "No More Fucks To Give," this production leans toward melancholy, exploring themes of burnout and Skäringer’s desire to find normalcy amid chaos. The show symbolically includes a 50th birthday scene, mirroring the Last Supper, which deepens the personal and reflective tone. The mix of personal revelation, humor, and musical elements highlights Skäringer’s signature honesty and artistic range.

The show will continue running until December 12, inviting audiences to engage with its candid portrayal of mental health and identity challenges, underscored by both laughter and empathy.

This article was translated and synthesized from Swedish sources, providing English-speaking readers with local perspectives.

Source comparison

Themes of the show

Sources describe different themes of the show.

mynewsdesk.com

"The performance delves into the chaos of Skäringer's mind, particularly focusing on her social anxiety and the ongoing internal battle faced by those with ADHD."

aftonbladet.se

"The performance delves into themes of exhaustion and personal struggle, particularly in relation to her experience with burnout depression."

Why this matters: One source emphasizes themes of social anxiety and ADHD, while the other focuses on burnout depression and personal struggle. This affects how readers understand the central message of Skäringer's performance.

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